Semiotics, a foundational concept in Media Studies, revolves around the study of signs and symbols and their role in conveying meaning within various forms of communication, including film. Ferdinand de Saussure is a central figure in semiotics, known for his structuralist theory. In Saussure's theory, a sign comprises two essential components: the signifier, representing the physical form like words, images, or sounds, and the signified, denoting the underlying concept or idea. In film study, Saussure's theory is essential because it highlights the arbitrary nature of the signifier-signified connection and allows researchers to analyze how different signifiers contribute to narrative, themes, and messages in order to analyze the layers of meaning in film. Here, the goal is to illustrate how Saussure's semiotic theory may be used to analyze films. To do this, a table will be used to explain how signifiers and their matching signified meanings can be found and analyzed, shining light on the film's semiotic aspects and their storytelling influence.
Reflection
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